1 YEAR COURSE (Click Here for More Details)
DIPLOME CERTIFICATE 1 YEAR
BATCH - A REGULAR BATCH1
Monday to Friday
COURSE DURATION: DIPLOME CERTIFICATE
• 1year • 6months • 4months
CLASSES TIME:
• 7am Batch,• 10.30am Batch,
• 6.30pm Batch,
BATCH - B WEEKEND BATCH2
Sunday
COURSE DURATION: DIPLOME CERTIFICATE
• 1year +3Months • 6months +1Months • 4months +1Months
CLASSES TIME:
• 09.30am to 4.30pm Batch
Pre-Requisites:
• 10+2 Pass
• Basic General Knowledge of Computer
• Understand English Language
Topic Covered in Syllabus:-
Course: 100% Practical Oriented
Project: 4 Short films - 4 Ad film - 2 Documentary Film
Faculty: From Film Industries Experts
1 Year CERTIFICATE Courses
- Topics Covered in Syllabus: -
- Final Cut Pro 7.0
- Final Cut Pro X
- Avid Media Composer
- Adobe CS 6
- Mac Os
- Windows Os
- Difference between Mac Os Vs Windows Os
- Adobe Photoshop
- Adobe Flash
Film Direction
- Categories of Films
- Feature films
- Add films
- Tele films
- Documentary films
- Short films
- Educational films
- Online program films
- Tele play
- Tele Episode
- News story
- Animation films
- Children films
- Duties of Direction Department
- Apprentice
- Assistant Directors
- Associate Directors
- Co-Director
- Director
- TCR - CLAP BOARD – TRP
- CLAP BOARD
- Banner
- Title
- Date
- Location
- Day / Night
- Int / Ext
- TLK / SIL / PLB
- Scene Number
- Shot Number
- Take Number
- Insert shot
- End Clap (Reversely)
- TCR – Editing Report
- Date: …………… Time: …………
- Title: ………….. Scene No: ………….
- Director: ……………… Cinematographer: ……………………. Ass.Director…….
- Hours
- Minutes
- Seconds
- Frames
Cinematography
- Practical
- Basic Cinematography
- Digital Cinema camera
- Red Epic - 5K
- Red MX - 4K
- Black Magic Cinema Camera - 4K
- Canon 5D Mark II & Mark III IV
- Sony
- Arri
- High speed Cameras
- Resolution
- DV
- HD
- Full HD
- Ultra HD
- 2K
- 2.5K
- 3K
- 4K
- 4.5K
- 5K
- 6K
- 8K
- Types of Camera Shots
- ECU
- CU
- ELS
- MS
- MLS
- MCU
- LS
- OSS
- POV
- OTH
- Dolly Shot
- Establishing Shot
- Master Shot
- Aerial Shot
- Bridging Shot
- Montages Shot
- Silhouetting Shot
- Flash Back shot
- Flash forward shot
- Types of Camera Angels – Movement
- High
- Eye
- Low
- Overhead / Birds eye view
- Zoom
- Panning (Pan Right – Pan Left)
- Tilt (Tilt Up – Tilt Down)
- Dolly
- Tracking
Audio and Video Editing
- EDITING COURSE TOPICS
- History of Cinema and Television
- History of film editing technology
- linear and nonlinear editing difference
- Mac Os
- DIT
- Basic Shots
- Camera Angles
- PAL – NTSC – SECAM
- TCR
- clap board / editing report
- DTS mixing/ Optical and Graphics
- Uses of subscribe (AVID)
- Cinema tools (FCP)
- Linking and Editing Video and Audio in Sync
- Sequence-to-Sequence Editing
- About Drop Frame and Non-Drop Frame Time code
- About Nonlinear and Nondestructive Editing
- Keying, Mattes, and Masks
- Color Correction
- Color Correction Features
- Rendering and Video Processing Settings
- Working with Film and Cinema Tools
- Device Control Settings and Presets
- AVID & Final Cut Pro Keyboard Shortcuts
- Effect and Motion
- Working with 24p Video
- Video Formats Compatible with Final Cut Pro
- Using Multiple Video Formats
- Offline and Online Editing
- Audio Formats Compatible with Final Cut Pro
- Types of camera angels / Shots
- Various kinds of tapes
- Audio Editing Basics
- Audio Fundamentals
- Measuring Sound Intensity
- Signal-to-Noise Ratio
- Headroom and Distortion
- Dynamic Range and Compression
- Stereo Audio
- Digital Audio
- Video Format Basics
- Standard
- Image dimensions and aspect ratio
- Frame rate
- Scanning method
- Logging from Tape
- Overview of Logging Steps
- Opening the Log and Capture Window
- Inserting a Tape in the VTR
- Setting a Logging Bin to Store Logged Clips
- Entering a Reel Name for the Current Tape
- Setting Clip In and Out Points
- Entering a Clip Name and Other Logging Information
- Adding Markers to Clips While Logging
- Selecting Which Tracks to Capture
- Changing Capture Settings
- Setting Video and Audio Levels for Analog Video
- Logging a Clip
- Capturing and Import
- Capturing Video from Tape
- Capturing Audio from Tape
- Advanced Topics in Capturing Tape-Based on Media
- CF card / Hard disk / 4k
- Post-production
- Editors cut
- Directors Cut
- Final Cut
- Methods of montage
- Soviet montage
- Montage sequence
- Continuity editing
- Editing Techniques
- 180 degree rule
- 30 degree rule
- Cinematic techniques
- Clapperboard
- Compositing (Keying)
- Cut (transition)
- Axial cut
- Cross-cutting
- Fast cutting
- Jump cut
- Long take
- Match cut
- Slow cutting
- Cutaway
- Edit decision list (EDL)
- Film transition
- Dissolve
- L cut (split edit)
- Wipe
- Filmmaking
- List of film-related topics
- Motion Picture Editors Guild (MPEG)
- Motion picture terminology
- Re-edited film
- Scene
- Sequence
- About Quick Time
- How to Convert other formats to MOV
- About FCP
- Difference Between FCP and Other Software’s
- Difference Between Windows and MAC (FCP Supports MAC)
- FCP file Management
- The working Environment or Workspace (FCP Window Details)
- Browser
- Viewer
- Canvas
- Timeline
- Tool Pallet
- Audio Pallet
- Setting up The FCP Environment
- Log & Capture / Log & Transfer
- Creating & Organizing Project
- Organizing Project with Browser
- Using the Viewer Window
- Creating New Sequence
- Working with Timeline & Canvas
- Canvas Edit Overlay
- Insert / Insert with Transition
- Overwrite / Overwrite with Transition
- Replace e) Fit to Fill
- Superimpose
- Timeline Window
- Editing In the Timeline
- Targeting Audio/ Video Tracks method
- Working with Time Code
- Editing by using tool pallet
- Timeline Tools / Options
- ClipRightClickOptions
- Working with key frames in Timeline
- Trimming Operation
- Ripple
- Roll
- Slip
- Slide
- Transitions
- Adding Video Transitions
- Video Transition Settings
- Adding Audio Transitions
- Filters
- Adding Video Filters
- Setting Effect Parameters
- Saving Filter Settings by creating a favorite Filter
- Adding Third Party Filters / Plug-in
- Shot
- Crane shot
- Establishing shot
- Insert
- Master shot
- Point of view shot
- Shot reverse shot
Course Outline
- Understanding Clips, Media Files and Sequence
- The Browser Window Elements
- Capturing Footage
- The Timeline and Canvas Windows
- The Viewer Window Elements
- Basic Editing In The Timeline
- Tools Palette
- Audio
- Advanced Editing
- Sub clips and Markers
- High Definition - HD
- Transitions & Filters
- Rendering &Real time
- Titles and Graphics
- Color Correction
- Key framing& Compositing
- Output, Exporting & Finishing
- Color correction
- Track matte
- Export/output of finished products
- Finishing
- DIT – Digital
- Cinematic techniques
- Color suite
- Direct to disk recording
- DTE (Direct To Edit)
- Dubbing (filmmaking)
- Film editing
- Film score
- Linear video editing
- List of film-related topics
- Non-destructive editing
- Linear Editing
- Non-linear editing system (NLE)
- Offline editing
- Pre-production
- Audio editing
- Sound effect
- Special effect
- Tapeless camcorder
- Video editing
- Video editing software
- Video editing
- Linear video editing
- Non-linear editing system (NLE)
- Offline editing
- Online editing
- Vision mixing
- Live television
- Video production
- Editing Overview
- Editing Workflow
- Starting a Project
- Preparing to Edit
- Editing a Sequence
- Outputting a Sequence
- Starting a Project
- Working with the Project Window
- Using Tools
- Logging
- Preparing for Capture
- Capturing Media
- Importing Files
- Working with Bins
- File Based Media - AMA
- Managing Media Files
- Viewing and Marking Footage
- Creating and Editing Sequences
- Script-Based Editing
- Using the Timeline
- Working with Trim Edits
- Working with Audio
- Using External Audio Devices
- Using Audio Plug-Ins
- Exporting Frames, Clips, or Sequences
- Generating Output
- Conforming and Transferring Projects
- Working with Avid Interplay from an Avid Editing System
- Using Editing Application with Interplay Sphere
- Using Interplay Transfer to Export Media
- Using MultiRez and Dynamic Relink
- MultiCamera Editing
- The Avid Marketplace
- File Format Specifications
- Resolutions and Storage Requirements
- Working in HD and High-Resolution Projects
- Dual Link HD RGB Support
- International Character Support (ICS) in Avid Editing Applications
- Workflow
- Video Formats and Timecode
- Overview
- Overview of the Final Cut Pro Interface
- Basics of Working in the Final Cut Pro Interface
- Using Keyboard Shortcuts, Buttons, and Shortcut Menus
- Customizing the Interface
- Undoing and Redoing Changes
- Entering Timecode for Navigation Purposes
- Browser
- Viewer
- Canvas
- Navigating
- Time line
- Resizing
- Devise
- Video Audio
- Storage
- Monitoring
- Logging
- WindowS
- VTR
- Capturing
- Device Control
- Working with Timecode
- About Timecode in Final Cut Pro
- Displaying Timecode in Final Cut Pro
- Modifying Timecode in Media Files
- Modifying Sequence Timecode
- Working with 60 fps Timecode
- Working with 24 @ 25 fps Timecode
- Generating Timecode Window Burns
- Working with Master Templates
- Modifying Master Templates
- Converting a Template Clip to a Motion Project
- Installing Motion Template Files for Use in Final Cut Pr
- Measuring and Setting Video Levels
- RGB Color Model
- Y′CBCR Color Model
- Measuring Video Levels with the Final Cut Pro Video Scopes
- Preventing Illegal Broadcast Levels
- Displaying Excess Luma and Chroma Levels in the Viewer and Canvas
- Using the Broadcast Safe Filter
- Using the RGB Limit Filter
- Working with Analog Video
- Using Color Bars for Video Calibration
- Color Correction Features
- Color Correction Features in Final Cut Pro
- Using Scopes Versus Looking at an External Monitor
- Window Layouts for Color Correction in Final Cut Pro
- Color Correction Filters
- The Final Cut Pro Color Correction Filters
- The Color Corrector Filter
- The Color Corrector 3-Way Filter
- The Desaturate Highlights and Desaturate Lows Filters
- RGB Balance Filter
- Creating Final Output
- Final Output Back to Tape
- Exporting in different Format Output
- PRACTICAL ASSIGNMENT
- Editing of short Films
- Editing of ads
- Film promos
- Documentary films
- Editing of NEWS
- Cinema Policy
- Central Board of Film Certification
- Current Certificates
- U = Universal
- UA = Parental Guidance
- A = Adults Only
- S = Restricted to any special class of persons
- Additionally, V/U, V/UA, V/A
- Karnataka Film Policy: Department of Information and Public Relations
- Film Federation Of India
- Digital formats
- SD, HDV, HD, Panasonic P2, Sony XDCAM, 2K, 4K, 5K, 6K, 8K and IMAX film formats
6 MONTHS COURSE (Click Here for More Details)
DIPLOME CERTIFICATE 6 MONTHS
BATCH - A REGULAR BATCH1
Monday to Friday
COURSE DURATION: DIPLOME CERTIFICATE
• 1year • 6months • 4months
CLASSES TIME:
• 7am Batch,• 10.30am Batch,
• 6.30pm Batch,
BATCH - B WEEKEND BATCH2
Sunday
COURSE DURATION: DIPLOME CERTIFICATE
• 1year +3Months • 6months +1Months • 4months +1Months
CLASSES TIME:
• 09.30am to 4.30pm Batch
Pre-Requisites:
• 10+2 Pass
• Basic General Knowledge
• Understand English Language
Topic Covered in Syllabus:-
Free Portfolio Photo Shoot for acting Students – Indoor & Outdoor
Project: Short movie Compulsory
Project: 100% Practical Oriented Courses
Faculty: from Film Industries Experts
6 MONTHS CERTIFICATE COURSES
- Topics Covered in Syllabus: -
- Final Cut Pro 7.0
- Final Cut Pro X
- Avid Media Composer
- Adobe CS 6
- Mac Os
- Windows Os
- Difference between Mac Os Vs Windows Os
- Adobe Photoshop
- Adobe Flash
Film Direction
- Categories of Films
- Feature films
- Add films
- Tele films
- Documentary films
- Short films
- Educational films
- Online program films
- Tele play
- Tele Episode
- News story
- Animation films
- Children films
- Duties of Direction Department
- Apprentice
- Assistant Directors
- Associate Directors
- Co-Director
- Director
- TCR - CLAP BOARD – TRP
- CLAP BOARD
- Banner
- Title
- Date
- Location
- Day / Night
- Int / Ext
- TLK / SIL / PLB
- Scene Number
- Shot Number
- Take Number
- Insert shot
- End Clap (Reversely)
- TCR – Editing Report
- Date: …………… Time: …………
- Title: ………….. Scene No: ………….
- Director: ……………… Cinematographer: ……………………. Ass.Director…….
- Hours
- Minutes
- Seconds
- Frames
Cinematography
- Practical:
- Basic Cinematography
- Digital Cinema camera
- Red Epic - 5K
- Red MX - 4K
- Black Magic Cinema Camera - 4K
- Canon 5D Mark II & Mark III IV
- Sony
- Arri
- High speed Cameras
- Resolution
- DV
- HD
- Full HD
- Ultra HD
- 2K
- 2.5K
- 3K
- 4K
- 4.5K
- 5K
- 6K
- 8K
- Types of Camera Shots
- ECU
- CU
- ELS
- MS
- MLS
- MCU
- LS
- OSS
- POV
- OTH
- Dolly Shot
- Establishing Shot
- Master Shot
- Aerial Shot
- Bridging Shot
- Montages Shot
- Silhouetting Shot
- Flash Back shot
- Flash forward shot
- Types of Camera Angels – Movement
- High
- Eye
- Low
- Overhead / Birds eye view
- Zoom
- Panning (Pan Right – Pan Left)
- Tilt (Tilt Up – Tilt Down)
- Dolly
- Tracking
Audio and Video Editing
- EDITING COURSE TOPICS
- History of Cinema and Television
- History of film editing technology
- linear and nonlinear editing difference
- Mac Os
- DIT
- Basic Shots
- Camera Angles
- PAL – NTSC – SECAM
- TCR
- clap board / editing report
- DTS mixing/ Optical and Graphics
- Uses of subscribe (AVID)
- Cinema tools (FCP)
- Linking and Editing Video and Audio in Sync
- Sequence-to-Sequence Editing
- About Drop Frame and Non-Drop Frame Time code
- About Nonlinear and Nondestructive Editing
- Keying, Mattes, and Masks
- Color Correction
- Color Correction Features
- Rendering and Video Processing Settings
- Working with Film and Cinema Tools
- Device Control Settings and Presets
- AVID & Final Cut Pro Keyboard Shortcuts
- Effect and Motion
- Working with 24p Video
- Video Formats Compatible with Final Cut Pro
- Using Multiple Video Formats
- Offline and Online Editing
- Audio Formats Compatible with Final Cut Pro
- Types of camera angels / Shots
- Various kinds of tapes
- Audio Editing Basics
- Audio Fundamentals
- Measuring Sound Intensity
- Signal-to-Noise Ratio
- Headroom and Distortion
- Dynamic Range and Compression
- Stereo Audio
- Digital Audio
- Video Format Basics
- Standard
- Image dimensions and aspect ratio
- Frame rate
- Scanning method
- Logging from Tape
- Overview of Logging Steps
- Opening the Log and Capture Window
- Inserting a Tape in the VTR
- Setting a Logging Bin to Store Logged Clips
- Entering a Reel Name for the Current Tape
- Setting Clip In and Out Points
- Entering a Clip Name and Other Logging Information
- Adding Markers to Clips While Logging
- Selecting Which Tracks to Capture
- Changing Capture Settings
- Setting Video and Audio Levels for Analog Video
- Logging a Clip
- Capturing and Import
- Capturing Video from Tape
- Capturing Audio from Tape
- Advanced Topics in Capturing Tape-Based on Media
- CF card / Hard disk / 4k
- Post-production
- Editors cut
- Directors Cut
- Final Cut
- Methods of montage
- Soviet montage
- Montage sequence
- Continuity editing
- Editing Techniques
- 180 degree rule
- 30 degree rule
- Cinematic techniques
- Clapperboard
- Compositing (Keying)
- Cut (transition)
- Axial cut
- Cross-cutting
- Fast cutting
- Jump cut
- Long take
- Match cut
- Slow cutting
- Cutaway
- Edit decision list (EDL)
- Film transition
- Dissolve
- L cut (split edit)
- Wipe
- Filmmaking
- List of film-related topics
- Motion Picture Editors Guild (MPEG)
- Motion picture terminology
- Re-edited film
- Scene
- Sequence
- About Quick Time
- How to Convert other formats to MOV
- About FCP
- Difference Between FCP and Other Software’s
- Difference Between Windows and MAC (FCP Supports MAC)
- FCP file Management
- The working Environment or Workspace (FCP Window Details)
- Browser
- Viewer
- Canvas
- Timeline
- Tool Pallet
- Audio Pallet
- Setting up The FCP Environment
- Log & Capture / Log & Transfer
- Creating & Organizing Project
- Organizing Project with Browser
- Using the Viewer Window
- Creating New Sequence
- Working with Timeline & Canvas
- Canvas Edit Overlay
- Insert / Insert with Transition
- Overwrite / Overwrite with Transition
- Replace e) Fit to Fill
- Superimpose
- Timeline Window
- Editing In the Timeline
- Targeting Audio/ Video Tracks method
- Working with Time Code
- Editing by using tool pallet
- Timeline Tools / Options
- ClipRightClickOptions
- Working with key frames in Timeline
- Trimming Operation
- Ripple
- Roll
- Slip
- Slide
- Transitions
- Adding Video Transitions
- Video Transition Settings
- Adding Audio Transitions
- Filters
- Adding Video Filters
- Setting Effect Parameters
- Saving Filter Settings by creating a favorite Filter
- Adding Third Party Filters / Plug-in
- Shot
- Crane shot
- Establishing shot
- Insert
- Master shot
- Point of view shot
- Shot reverse shot
Course Outline
- Understanding Clips, Media Files and Sequence
- The Browser Window Elements
- Capturing Footage
- The Timeline and Canvas Windows
- The Viewer Window Elements
- Basic Editing In The Timeline
- Tools Palette
- Audio
- Advanced Editing
- Sub clips and Markers
- High Definition - HD
- Transitions & Filters
- Rendering &Real time
- Titles and Graphics
- Color Correction
- Key framing& Compositing
- Output, Exporting & Finishing
- Color correction
- Track matte
- Export/output of finished products
- Finishing
- DIT – Digital
- Cinematic techniques
- Color suite
- Direct to disk recording
- DTE (Direct To Edit)
- Dubbing (filmmaking)
- Film editing
- Film score
- Linear video editing
- List of film-related topics
- Non-destructive editing
- Linear Editing
- Non-linear editing system (NLE)
- Offline editing
- Pre-production
- Audio editing
- Sound effect
- Special effect
- Tapeless camcorder
- Video editing
- Video editing software
- Video editing
- Linear video editing
- Non-linear editing system (NLE)
- Offline editing
- Online editing
- Vision mixing
- Live television
- Video production
- Editing Overview
- Editing Workflow
- Starting a Project
- Preparing to Edit
- Editing a Sequence
- Outputting a Sequence
- Starting a Project
- Working with the Project Window
- Using Tools
- Logging
- Preparing for Capture
- Capturing Media
- Importing Files
- Working with Bins
- File Based Media - AMA
- Managing Media Files
- Viewing and Marking Footage
- Creating and Editing Sequences
- Script-Based Editing
- Using the Timeline
- Working with Trim Edits
- Working with Audio
- Using External Audio Devices
- Using Audio Plug-Ins
- Exporting Frames, Clips, or Sequences
- Generating Output
- Conforming and Transferring Projects
- Working with Avid Interplay from an Avid Editing System
- Using Editing Application with Interplay Sphere
- Using Interplay Transfer to Export Media
- Using MultiRez and Dynamic Relink
- MultiCamera Editing
- The Avid Marketplace
- File Format Specifications
- Resolutions and Storage Requirements
- Working in HD and High-Resolution Projects
- Dual Link HD RGB Support
- International Character Support (ICS) in Avid Editing Applications
- Workflow
- Video Formats and Timecode
- Overview
- Overview of the Final Cut Pro Interface
- Basics of Working in the Final Cut Pro Interface
- Using Keyboard Shortcuts, Buttons, and Shortcut Menus
- Customizing the Interface
- Undoing and Redoing Changes
- Entering Timecode for Navigation Purposes
- Browser
- Viewer
- Canvas
- Navigating
- Time line
- Resizing
- Devise
- Video Audio
- Storage
- Monitoring
- Logging
- WindowS
- VTR
- Capturing
- Device Control
- Working with Timecode
- About Timecode in Final Cut Pro
- Displaying Timecode in Final Cut Pro
- Modifying Timecode in Media Files
- Modifying Sequence Timecode
- Working with 60 fps Timecode
- Working with 24 @ 25 fps Timecode
- Generating Timecode Window Burns
- Working with Master Templates
- Modifying Master Templates
- Converting a Template Clip to a Motion Project
- Installing Motion Template Files for Use in Final Cut Pr
- Measuring and Setting Video Levels
- RGB Color Model
- Y′CBCR Color Model
- Measuring Video Levels with the Final Cut Pro Video Scopes
- Preventing Illegal Broadcast Levels
- Displaying Excess Luma and Chroma Levels in the Viewer and Canvas
- Using the Broadcast Safe Filter
- Using the RGB Limit Filter
- Working with Analog Video
- Using Color Bars for Video Calibration
- Color Correction Features
- Color Correction Features in Final Cut Pro
- Using Scopes Versus Looking at an External Monitor
- Window Layouts for Color Correction in Final Cut Pro
- Color Correction Filters
- The Final Cut Pro Color Correction Filters
- The Color Corrector Filter
- The Color Corrector 3-Way Filter
- The Desaturate Highlights and Desaturate Lows Filters
- RGB Balance Filter
- Creating Final Output
- Final Output Back to Tape
- Exporting in different Format Output
- PRACTICAL ASSIGNMENT
- Editing of short Films
- Editing of ads
- Film promos
- Documentary films
- Editing of NEWS
- Cinema Policy
- Central Board of Film Certification
- Current Certificates
- U = Universal
- UA = Parental Guidance
- A = Adults Only
- S = Restricted to any special class of persons
- Additionally, V/U, V/UA, V/A
- Karnataka Film Policy: Department of Information and Public Relations
- Film Federation Of India
- Digital formats
- SD, HDV, HD, Panasonic P2, Sony XDCAM, 2K, 4K, 5K, 6K, 8K and IMAX film formats
4 MONTHS COURSE (Click Here for More Details)
DIPLOME CERTIFICATE 4 MONTHS
BATCH - A REGULAR BATCH1
Monday to Friday
COURSE DURATION: DIPLOME CERTIFICATE
• 1year • 6months • 4months
CLASSES TIME:
• 7am Batch,• 10.30am Batch,
• 6.30pm Batch,
BATCH - B WEEKEND BATCH2
Sunday
COURSE DURATION: DIPLOME CERTIFICATE
• 1year +3Months • 6months +1Months • 4months +1Months
CLASSES TIME:
• 09.30am to 4.30pm Batch
Pre-Requisites:
• 10+2 Pass
• Basic General Knowledge
• Understand English Language
Topic Covered in Syllabus:-
Free Portfolio Photo Shoot for acting Students – Indoor & Outdoor
Project: Short movie Compulsory
Project: 100% Practical Oriented Courses
Faculty: from Film Industries Experts
4 MONTHS CERTIFICATE COURSES
- Topics Covered in Syllabus: -
- Final Cut Pro 7.0
- Final Cut Pro X
- Avid Media Composer
- Adobe CS 6
- Mac Os
- Windows Os
- Difference between Mac Os Vs Windows Os
- Adobe Photoshop
- Adobe Flash
Film Direction
- Categories of Films
- Feature films
- Add films
- Tele films
- Documentary films
- Short films
- Educational films
- Online program films
- Tele play
- Tele Episode
- News story
- Animation films
- Children films
- Duties of Direction Department
- Apprentice
- Assistant Directors
- Associate Directors
- Co-Director
- Director
- TCR - CLAP BOARD – TRP
- CLAP BOARD
- Banner
- Title
- Date
- Location
- Day / Night
- Int / Ext
- TLK / SIL / PLB
- Scene Number
- Shot Number
- Take Number
- Insert shot
- End Clap (Reversely)
- TCR – Editing Report
- Date: …………… Time: …………
- Title: ………….. Scene No: ………….
- Director: ……………… Cinematographer: ……………………. Ass.Director…….
- Hours
- Minutes
- Seconds
- Frames
Cinematography
- Practical:
- Basic Cinematography
- Digital Cinema camera
- Red Epic - 5K
- Red MX - 4K
- Black Magic Cinema Camera - 4K
- Canon 5D Mark II & Mark III IV
- Sony
- Arri
- High speed Cameras
- Resolution
- DV
- HD
- Full HD
- Ultra HD
- 2K
- 2.5K
- 3K
- 4K
- 4.5K
- 5K
- 6K
- 8K
- Types of Camera Shots
- ECU
- CU
- ELS
- MS
- MLS
- MCU
- LS
- OSS
- POV
- OTH
- Dolly Shot
- Establishing Shot
- Master Shot
- Aerial Shot
- Bridging Shot
- Montages Shot
- Silhouetting Shot
- Flash Back shot
- Flash forward shot
- Types of Camera Angels – Movement
- High
- Eye
- Low
- Overhead / Birds eye view
- Zoom
- Panning (Pan Right – Pan Left)
- Tilt (Tilt Up – Tilt Down)
- Dolly
- Tracking
Audio and Video Editing
- EDITING COURSE TOPICS
- History of Cinema and Television
- History of film editing technology
- linear and nonlinear editing difference
- Mac Os
- DIT
- Basic Shots
- Camera Angles
- PAL – NTSC – SECAM
- TCR
- clap board / editing report
- DTS mixing/ Optical and Graphics
- Uses of subscribe (AVID)
- Cinema tools (FCP)
- Linking and Editing Video and Audio in Sync
- Sequence-to-Sequence Editing
- About Drop Frame and Non-Drop Frame Time code
- About Nonlinear and Nondestructive Editing
- Keying, Mattes, and Masks
- Color Correction
- Color Correction Features
- Rendering and Video Processing Settings
- Working with Film and Cinema Tools
- Device Control Settings and Presets
- AVID & Final Cut Pro Keyboard Shortcuts
- Effect and Motion
- Working with 24p Video
- Video Formats Compatible with Final Cut Pro
- Using Multiple Video Formats
- Offline and Online Editing
- Audio Formats Compatible with Final Cut Pro
- Types of camera angels / Shots
- Various kinds of tapes
- Audio Editing Basics
- Audio Fundamentals
- Measuring Sound Intensity
- Signal-to-Noise Ratio
- Headroom and Distortion
- Dynamic Range and Compression
- Stereo Audio
- Digital Audio
- Video Format Basics
- Standard
- Image dimensions and aspect ratio
- Frame rate
- Scanning method
- Logging from Tape
- Overview of Logging Steps
- Opening the Log and Capture Window
- Inserting a Tape in the VTR
- Setting a Logging Bin to Store Logged Clips
- Entering a Reel Name for the Current Tape
- Setting Clip In and Out Points
- Entering a Clip Name and Other Logging Information
- Adding Markers to Clips While Logging
- Selecting Which Tracks to Capture
- Changing Capture Settings
- Setting Video and Audio Levels for Analog Video
- Logging a Clip
- Capturing and Import
- Capturing Video from Tape
- Capturing Audio from Tape
- Advanced Topics in Capturing Tape-Based on Media
- CF card / Hard disk / 4k
- Post-production
- Editors cut
- Directors Cut
- Final Cut
- Methods of montage
- Soviet montage
- Montage sequence
- Continuity editing
- Editing Techniques
- 180 degree rule
- 30 degree rule
- Cinematic techniques
- Clapperboard
- Compositing (Keying)
- Cut (transition)
- Axial cut
- Cross-cutting
- Fast cutting
- Jump cut
- Long take
- Match cut
- Slow cutting
- Cutaway
- Edit decision list (EDL)
- Film transition
- Dissolve
- L cut (split edit)
- Wipe
- Filmmaking
- List of film-related topics
- Motion Picture Editors Guild (MPEG)
- Motion picture terminology
- Re-edited film
- Scene
- Sequence
- About Quick Time
- How to Convert other formats to MOV
- About FCP
- Difference Between FCP and Other Software’s
- Difference Between Windows and MAC (FCP Supports MAC)
- FCP file Management
- The working Environment or Workspace (FCP Window Details)
- Browser
- Viewer
- Canvas
- Timeline
- Tool Pallet
- Audio Pallet
- Setting up The FCP Environment
- Log & Capture / Log & Transfer
- Creating & Organizing Project
- Organizing Project with Browser
- Using the Viewer Window
- Creating New Sequence
- Working with Timeline & Canvas
- Canvas Edit Overlay
- Insert / Insert with Transition
- Overwrite / Overwrite with Transition
- Replace e) Fit to Fill
- Superimpose
- Timeline Window
- Editing In the Timeline
- Targeting Audio/ Video Tracks method
- Working with Time Code
- Editing by using tool pallet
- Timeline Tools / Options
- ClipRightClickOptions
- Working with key frames in Timeline
- Trimming Operation
- Ripple
- Roll
- Slip
- Slide
- Transitions
- Adding Video Transitions
- Video Transition Settings
- Adding Audio Transitions
- Filters
- Adding Video Filters
- Setting Effect Parameters
- Saving Filter Settings by creating a favorite Filter
- Adding Third Party Filters / Plug-in
- Shot
- Crane shot
- Establishing shot
- Insert
- Master shot
- Point of view shot
- Shot reverse shot
Course Outline
- Understanding Clips, Media Files and Sequence
- The Browser Window Elements
- Capturing Footage
- The Timeline and Canvas Windows
- The Viewer Window Elements
- Basic Editing In The Timeline
- Tools Palette
- Audio
- Advanced Editing
- Sub clips and Markers
- High Definition - HD
- Transitions & Filters
- Rendering &Real time
- Titles and Graphics
- Color Correction
- Key framing& Compositing
- Output, Exporting & Finishing
- Color correction
- Track matte
- Export/output of finished products
- Finishing
- DIT – Digital
- Cinematic techniques
- Color suite
- Direct to disk recording
- DTE (Direct To Edit)
- Dubbing (filmmaking)
- Film editing
- Film score
- Linear video editing
- List of film-related topics
- Non-destructive editing
- Linear Editing
- Non-linear editing system (NLE)
- Offline editing
- Pre-production
- Audio editing
- Sound effect
- Special effect
- Tapeless camcorder
- Video editing
- Video editing software
- Video editing
- Linear video editing
- Non-linear editing system (NLE)
- Offline editing
- Online editing
- Vision mixing
- Live television
- Video production
- Editing Overview
- Editing Workflow
- Starting a Project
- Preparing to Edit
- Editing a Sequence
- Outputting a Sequence
- Starting a Project
- Working with the Project Window
- Using Tools
- Logging
- Preparing for Capture
- Capturing Media
- Importing Files
- Working with Bins
- File Based Media - AMA
- Creating Final Output
- Final Output Back to Tape
- Exporting in different Format Output
- PRACTICAL ASSIGNMENT
- Editing of short Films
- Editing of ads
- Film promos
- Documentary films
- Editing of NEWS
- Cinema Policy
- Central Board of Film Certification
- Current Certificates
- U = Universal
- UA = Parental Guidance
- A = Adults Only
- S = Restricted to any special class of persons
- Additionally, V/U, V/UA, V/A
- Karnataka Film Policy: Department of Information and Public Relations
- Film Federation Of India
- Digital formats
- SD, HDV, HD, Panasonic P2, Sony XDCAM, 2K, 4K, 5K, 6K, 8K and IMAX film formats